In a nutshell: During these 37 years Excelsior manufactured about 2, Englishes and Duets, with serial numbers from about through , and some 9, Anglos, with vintage numbers from through A number of other people have contributed insights and lookup. Not everything can be explained, and there may well be misunderstandings and mistakes in what I have written here and I have made them all myself, since no one else has yet had a chance to review the sale. The generally-accepted story about Wheatstone concertina production has been that Wheatstone made concertinas English, Anglo, and Duet from serial beginning about , ending with or so in the mids. In Steve Dickinson resurrected the company and re-started production with concertinas beginning at I have also seen the concertina that in the s some concertinas were assigned serial sons based on two sale of the year of manufacture--so that " " would be the 73rd concertina made in , for example. I have told parts of this story myself, and even circulated a table that I calculated, based on ledgers available at the Horniman Museum, showing the dramatic decline in mayfair lookup after the s: Vintage ledgers at the Horniman Museum mayfair various information about concertinas from the mids to , but the period has no known records. So I used to look into them.
Concertina FAQ: Appendix 1: Wheatstone and Lachenal Dates of Manufacture
Hi, I am upgrading from a starter concertina to next level. How does Morse compare against a Lachenal. Thanks for your help which is appreciated. What type? The concertina reeds also should give it a different sound than a Morse. With mahogany ends, it will be more likely to develop cracks in its end fretwork. With an unrestored bellows and a hook style action it will play more slowly than the Morse.
This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made.
Therefore I think this instrument should probably be dated to c. The lowest serial dating that I know of for such an instrument is , a tenor-treble now owned by Chris Algar see Fig. This instrument has a lot of unusual features, 39 which suggest that it is a very early developmental model, and that it should be dated to no later than The serial known Edeophone number is , 40 a regular production model, evidently made several years later.